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Arizona Opera

Auditions for 2027/28 Marion Roose Pullin Arizona Opera Studio Artists

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What they do

An Artist or Illustrator develops ideas and works with different materials to create art, including crafts and fine art such as painting. May specialize in drawing and creating visual images, designs or pictures for books and other publications or for commercial products, or detailed drawings for scientific or medical illustrations. Creates drawings by hand and uses computers to create or develop images.

$59,250 / year median in Arizona

+9% projected growth

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Job Description

PRINCIPAL OBOE AUDITIONS
Arizona Opera Orchestra (performing in Phoenix and Tucson, AZ) announces auditions for the following:
PRINCIPAL OBOE
(27 SVCS
  • ) Audition date: Monday, September 21, 2026 Resumes due Monday, September 14, 2026
  • Projected number of services for 2026/27 Season 2026/27 Season per service rate
  • :
Principal Oboe:
$192.79 Plus per diem, travel and hotel stipend per CBA. Contact Orchestra Manager for details. Principal Oboe auditions will take place on Monday, September 21, 2026 at the Arizona Opera Center. Times will be announced prior. Applications are due Monday, September 14, 2026. To , please email your resume to orchmanager@azopera.org.
Audition Materials List:
Click here to download audition excerpts Required excerpts are marked with brackets on azopera.org and at the audition. Solo Mozart
  •  Oboe Concerto, first movement, exposition only
  • beginning to m. 97 Orchestra Excerpts Beethoven
  • Fidelio:
    Act II, No. 11: Poco Allegro (F Major): mm 89-139 Mozart
  •  Così fan tutte:
Overture:
(play bracketed sections) Puccini
  •  
Madama Butterfly:
Act I:
(play bracketed sections) Rossini
  •  La Scala di
Seta:
Overture:
(play bracketed sections
  • Articulation at player's discretion) Rossini
  •  Italian in
Algiers:
Overture (Play bracketed sections
  • Articulation at player's discretion) Strauss
Rosenkavalier:
Act I:
1m before Reh 8-4m after Reh 9;
Act I:
Reh 271-274;
Act II:
Reh 34, m2
  • Reh 38 Verdi
Aida:
Act II:
9 mm after Rehearsal E to Rehearsal G, beat one
Act III:
Rehearsal C to one measure before Rehearsal E
Act III:
Rehearsal S to Rehearsal T Verdi•
Rigoletto:
Act II:
Andantino after rehearsal 28 to 30 measures after rehearsal 29 Wagner•
Parsifal:
Good Friday Spell:
Act III:
Rehearsal 256 to Rehearsal 257 (second measure)
Reports To:
Orchestra Manager
Job Category:
Artistic