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Parallax
Editing Assistant
Entry-Level JobVerifiedNo experience needed
Career Insights for Video Editor
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What they do
A Video Editor edits films, primarily smaller film productions or video recordings of events. Edits film for review, and collaborates with directors and producers to create a final production. Uses specialized editing software. May supervise editing assistants.
$63,891 / year median in the U.S.
+6% projected growth
Job Description
Editing Assistant 2026-08-24 Parallax all cities,
AK Description:
ABOUT PARALLAX
Parallax is building something that doesn't exist yet: a modern communications engine that treats persuasion like infrastructure. We are a high-velocity content operation backed by committed investors, leading advocacy organizations, and a passionate team that has run some of the largest political media operations in history. We produce content at campaign scale- hundreds of videos, millions of impressions, rapid-response storytelling across every platform.
ROLE DESCRIPTION
This is an outcomes-based contractor engagement supporting our editorial team. Success is measured by how much friction you remove from the senior editor's workflow and how cleanly the operation runs because of your work: Footage organization and prep . Source media ingested, named, tagged, and organized into project structures so the lead editor can find what they need without hunting. Every shoot's footage prepped for editing within 24 hours of receipt. Rough assemblies and selects . First-pass selects pulled from raw footage based on briefs from the lead editor or producer. Best moments flagged, dead time trimmed, transcripts attached. Delivered structured cleanly enough that the lead editor can refine without rebuilding. Light cuts and recuts. Simple short-form deliverables (vertical reformats, captioned recuts, platform-specific resizes) produced independently from approved master cuts. Quantity scales with experience- start at 2-3 per week, build from there.
- uploads to shared drives, version control, asset transfers between editors, communication with producers about footage status.
QUALIFICATIONS
You're early in your editing career and looking for a serious operation to learn inside of. You know your way around an editing suite. Premiere, Final Cut, DaVinci, or comparable. You can build a sequence, sync footage, color correct simply, mix audio cleanly. You don't need to be advanced- you need to be reliable. You're organized. Files named consistently, projects structured clearly, exports labeled correctly. People can find your work without asking you. You take direction well. You're not trying to override the lead editor's vision
- you're trying to learn it and execute against it. When something is unclear, you ask early rather than guess. You're fast on simple things. Recuts, resizes, caption passes
- you turn these around quickly so the senior team isn't waiting on you.
WHY THIS GIG
Serious operation, real reps. You'll be working alongside an experienced lead editor on a high- volume, high-quality pipeline. The reps you'll get here in six months are reps that take years elsewhere. Volume with meaning. The work you support will reach millions of people on the most important civic issue in America. A path forward. Strong contributors here have a path to expanded scope and compensation as the operation grows. We are growing fast
- the editorial team is going from one editor to several, and we want people who can grow into bigger roles as that happens.