Portland Stage Company 2025-26 Season – Portland, ME EPA Position Available In Cumberland, Maine
Tallo's Job Summary: Portland Stage Company in Portland, ME is hosting an EPA audition on June 9th and 10th, 2025. They are seeking Equity actors for various roles in their 2025-26 season productions, with a weekly minimum salary of $799 under a LORT Non-Rep contract. Prepare a monologue and bring a headshot and resume stapled together for auditions by appointment only.
Job Description
PORTLAND STAGE COMPANY 2025-26 SEASON
•PORTLAND, ME EPA (06.09.25) & (06.10.25)
CATEGORY
PERFORMER
Portland Stage Company
Portland, ME
JOB DETAILS
DESCRIPTION
Notice:
Audition Call Type:
EPA
AUDITION DATE
Monday, June 9, 2025
10:30 AM•7:30 PM (E)
AND
Tuesday, June 10, 2025
10:30 AM•7:30 PM (E)
BREAKS 1
30PM•3:30PM
APPOINTMENTS
AUDITIONS
BY APPOINTMENT ONLY
auditionsportlandstage
Jenn London || 207 774-1043 ext 107, M-F
CONTRACT
LORT Non-Rep
$799 weekly minimum (LORT D•Protected)
SEEKING
Equity actors for roles in Portland Stage Company’s 2025•2026 season (see breakdown).
No roles will be understudied.
PREPARATION
Please prepare a short monologue. Please bring your headshot and resume stapled together.
LOCATION
Portland Stage Company
25A Forest Ave
Portland, ME 04101-5809
PERSONNEL
Dirty Deeds Downeast
by
Brent Askari Dir:
Lisa DiFranza
Lend Me A Tenor
by
Ken Ludwig Dir:
Kevin R. Free
2026 Clauder Winner TBA
by
TBA Dir:
TBD
Our Town
by
Thornton Wilder Dir:
Todd Brian Backus
The Laugh Track
by
Wendy MacLeod Dir:
Christopher Grabowski
EXPECTED TO ATTEND
Anita Stewart•Artistic Director
OTHER DATES
Dirty Deeds Downeast
1st
Rehearsal:
10/7/25
Opening:
10/31/25
Closing:
10/13/2024
Lend Me A Tenor
1st
Rehearsal:
1/6/26
Opening:
1/30/26
Closing:
2/22/26
2026 Clauder Winner TBA
1st
Rehearsal:
2/10/26
Opening:
3/6/26
Closing:
3/22/26
Our Town
1st
Rehearsal:
3/10/26
Opening:
4/3/26
Closing 4/26/26
The Laugh Track
1st
Rehearsal:
4/14/26
Opening:
5/8/26
Closing:
5/31/26
OTHER
portlandstage
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity ismitted to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
PORTLAND
STAGE COMPANY 2025
•2026 SEASON
SEEKING:
Dirty Deeds Downeast
SYNOPSIS
A fast and looseedy about those who take care of their own. Part Hot Fuzz and part Murder She Wrote, Askari’s play examines the underbelly of life on an island in Maine. As the summer season approaches, Gerrard is warned by the locals that his investigation might not be “good for business,” and he’ll have to choose to stick to his guns or fold.
GERRARD:
30s-early 40s. Male. A small town cop in a place w nothing much happens.
BETTY:
30s. Female. Waitress at Nadeau’s Diner. Pretty. Opinionated.
WOMAN:
50s-60s. Female. Plays MARGIE, Gerard’s mother and EDITH, the owner and chairman of Blake Wholesalers.
MAN:
40s-60s. Male. Plays LOUIS the local landscaper and suitor of Margie, DICK the owner of the marina, and COLE a lobsterman with a claw hand.
Lend Me A Tenor
SYNOPSIS
An evening of hijinks, mistaken identity, and chance encounters. Following the belated arrival of Il Stupendo, Max does his best to keep the star calm, and makes sure he gets the rest he needs. Unfortunately, after giving Stupendo a double dose of his sleeping pills, Max needs to don Pagliacci, the clown’s, makeup to do the show, but can he sing as well as the greatest tenor of the generation? After the show multiple women want to sleep with Il Stupendo, but when Max finds a body missing, will he his career? Or his relationship?
MAX:
Late 20s-30s. Male. Assistant to Saunders, Opera lover. Will sing in the play.
MAGGIE:
Late 20s-30s. Female. Max’s girlfriend, who has a thing for tenors.
SAUNDERS
40s-50s. Male. Maggie’s father. Manager of the Cleveland Grand Opera Company.
TITO MERELLI
30s-50s. Male. A world-famous tenor, known by his fans as “Il Stupendo”. Will sing in the play.
MARIA:
30s.50s. Female. Tito’s wife, not always a fan of Il Stupendo.
BELLHOP:
20s-40s. A bellhop, and fan of Il Stupendo. Will sing in the play.
DIANA:
20s-30s. Female. A soprano looking to get ahead.
JULIA:
50s-60s. Female. Chairwoman of the Opera Guild.
2026 CLAUDER WINNERS•TBA
Intimate Surveillance
by Catherine Stewart
SYNOPSIS
Tech entrepreneur Mina Azimi expects to control the narrative when she sits down with veteran journalist David Mendez. But he isn’t for a puff piece—he’s to confront her with a troubling question: Who can you trust when technology bes part of our intimate lives?
MINA AMIZ / VOILA
Mid 20s, Female, mid-twenties, Iranian-American disgraced tech mogul. Also voices VOILA, virtual assistant technology with a speech synthesizer
DAVID MENDEZ
Late 50s+, Male. Pulitzer Prize-winning Journalist.
Like Flies
by Maggie Kearnan
SYNOPSIS
When a mysterious new midwifees to town, a group of women think she might have solutions for more than just childbirth. She might also have something to remedy an epidemic of cruel men. New alliances are formed and each woman wonders who she can trust in this thrilling new play.
EDNA INGRAM
40s•50s. Female. A professionally trained midwife. Religious, patient, calculated.
MEG DOOLEY / WOMAN 1
late 20s•early 40s. Female. A midwife, self-certain, natural leader.
RETTA LONGWOOD / WOMAN 2
30s. Female. Brass, boisterous, and strong. A bit ofic relief.
POLLY PLATT / WOMAN 3
20s. Female. Soft, sweet, and curious. Loves her husband.
LENNY RUTLEDGE / WOMAN 4
18+ to play 16. Female. Ruthless, but longing. Runs for fun. Speaks boldly through a speech impediment.
JULIA WINSHIP/ WOMAN 5
20s•30s. Female. Quiet, reluctant, and loving. A reader. Wants peace and safety. Loves Vee Malcolm.
VEE MALCOLM/ WOMAN 6
20s•30s. Female. Sarcastic, impatient, but earnest. Craves adventure. Loves Julia Winship.
Mere Waters
by Jillian Blevins
SYNOPSIS
Gynecologist Gisella Perl arrives at a concentration camp and is assigned to work as the camp doctor. She has no tools, no antiseptic, and no water. Despite all this, Gisella works to survive the camp guided by two bickering biblical prophetesses.
DOCTOR GISELLA PERL
37. Female. A Hungarian Jew and a doctor of gynecology. Prisoner no. 25404. (Pronounced “GEE-zull-uh”)
THE GUARD
19, Female. Blonde, blue eyed, and beautiful. Mouthpiece for Doctor M. She is always smiling.
THE WOMAN
20s-30s. Female. Every prisoner. Every patient. Every woman. Sometimes appears as Gisella’s daughter GABBY.
ABIGAIL:
30s-50s. Ageless. Female.
PROPHETESS
known for guiding others toward righteousness. Measured. Biblical, but also a Jewish tante (auntie).
HANNAH:
40s-50s. Ageless. Female.
PROPHETESS
tested by God through her infertility. Defiant. Biblical, but also a Jewish tante.
SALARY
LORT Non-Rep $799 weekly minimum (LORT D•Protected)
UNION
AEA